Make way for the Image! (A Procession of Flagellants), 2022
Make way for the Image! (A Procession of Flagellants), 2022

Epoxie Clay, Plywood, Masonite
112 x 208 x 49 inches

Make way for the Image! (A Procession of Flagellants), 2022
Make way for the Image! (A Procession of Flagellants), 2022

Detail

Another Carpenter Contemplates his Body (autofiction), 2022
Another Carpenter Contemplates his Body (autofiction), 2022

Laser print on adhesive paper, tissue wrapping, insect pins
69 x 49 x 2 inches

Theatrical device 3 (sketch for a demoralized icon), 2024
Theatrical device 3 (sketch for a demoralized icon), 2024

Cotton rag, sublimated iron oxide, adhesive, oil paint, waxed thread
12 × 14 x 1 inches

Tragedy of the Commons (wasting syndrome), 2023
Tragedy of the Commons (wasting syndrome), 2023

Joint compound and graphite on wood
19 ½ x 13 x 1 ¼ inches

Sheep Effigy (and on, and on) / Minimalism problem (collage, decolage, bricolage), 2024
Sheep Effigy (and on, and on) / Minimalism problem (collage, decolage, bricolage), 2024

Mixed Media
5 × 8 × 4 inches (each)

Architectonic III (Flagellant), 2024
Architectonic III (Flagellant), 2024

Bronze, uric acid, wood
12 x 2 x 3 inches

God, where are the eyes of a murderer?, 2024
God, where are the eyes of a murderer?, 2024

Solo presentation at Gattopardo, Los Angeles

Death Mask (theatrical device for doing harm, a burden), 2024
Death Mask (theatrical device for doing harm, a burden), 2024

Epoxy clay, acrylic, latex paint, ink, dirt, metal mesh, fiber board, plywood, glassine
52 x 52 x 2 inches

Death Mask (theatrical device for doing harm, a burden), 2024
Death Mask (theatrical device for doing harm, a burden), 2024

Detail

Survival (42'- 44'), 2024
Survival (42'- 44'), 2024

Graphite on fiberboard, water based topcoat, epoxy clay, glassine, rebar
48 x 41 x 22 inches

Sheep Effigy II (pulled through)
Sheep Effigy II (pulled through)

Bronze, uric acid
9 x 6 x 6 inches

Inside of us all is the same gaseous star. (a dropped pearl, and a thing of unrivaled beauty), 2025
Inside of us all is the same gaseous star. (a dropped pearl, and a thing of unrivaled beauty), 2025

Fiberboard, vellum, charcoal, graphite, shellac, wood, aluminum flashing, construction adhesive, and oil paint
49 x 21.5 inches

A Shade (heroic visage of a chronic masturbator), 2024
A Shade (heroic visage of a chronic masturbator), 2024

Bronze, uric acid
14 × 4 × 4 inches

Emeth I (after Goya), 2024
Emeth I (after Goya), 2024

Epoxy clay, graphite, graphite powder, ink, glassine, MDF
30 × 32 inches

St Sebastian in the Black Room, 2025
St Sebastian in the Black Room, 2025

Bronze, uric acid, black wax
16 × 21 inches

Emeth V (after Mizer, boys will be.), 2025
Emeth V (after Mizer, boys will be.), 2025

Epoxy clay, gesso, ink, graphite, charcoal, tissue paper, printed A3 paper on board
20 × 14.5 in

Make way for the Image! (A Procession of Flagellants), 2022
Make way for the Image! (A Procession of Flagellants), 2022
Another Carpenter Contemplates his Body (autofiction), 2022
Theatrical device 3 (sketch for a demoralized icon), 2024
Tragedy of the Commons (wasting syndrome), 2023
Sheep Effigy (and on, and on) / Minimalism problem (collage, decolage, bricolage), 2024
Architectonic III (Flagellant), 2024
God, where are the eyes of a murderer?, 2024
Death Mask (theatrical device for doing harm, a burden), 2024
Death Mask (theatrical device for doing harm, a burden), 2024
Survival (42'- 44'), 2024
Sheep Effigy II (pulled through)
Inside of us all is the same gaseous star. (a dropped pearl, and a thing of unrivaled beauty), 2025
A Shade (heroic visage of a chronic masturbator), 2024
Emeth I (after Goya), 2024
St Sebastian in the Black Room, 2025
Emeth V (after Mizer, boys will be.), 2025
Make way for the Image! (A Procession of Flagellants), 2022

Epoxie Clay, Plywood, Masonite
112 x 208 x 49 inches

Make way for the Image! (A Procession of Flagellants), 2022

Detail

Another Carpenter Contemplates his Body (autofiction), 2022

Laser print on adhesive paper, tissue wrapping, insect pins
69 x 49 x 2 inches

Theatrical device 3 (sketch for a demoralized icon), 2024

Cotton rag, sublimated iron oxide, adhesive, oil paint, waxed thread
12 × 14 x 1 inches

Tragedy of the Commons (wasting syndrome), 2023

Joint compound and graphite on wood
19 ½ x 13 x 1 ¼ inches

Sheep Effigy (and on, and on) / Minimalism problem (collage, decolage, bricolage), 2024

Mixed Media
5 × 8 × 4 inches (each)

Architectonic III (Flagellant), 2024

Bronze, uric acid, wood
12 x 2 x 3 inches

God, where are the eyes of a murderer?, 2024

Solo presentation at Gattopardo, Los Angeles

Death Mask (theatrical device for doing harm, a burden), 2024

Epoxy clay, acrylic, latex paint, ink, dirt, metal mesh, fiber board, plywood, glassine
52 x 52 x 2 inches

Death Mask (theatrical device for doing harm, a burden), 2024

Detail

Survival (42'- 44'), 2024

Graphite on fiberboard, water based topcoat, epoxy clay, glassine, rebar
48 x 41 x 22 inches

Sheep Effigy II (pulled through)

Bronze, uric acid
9 x 6 x 6 inches

Inside of us all is the same gaseous star. (a dropped pearl, and a thing of unrivaled beauty), 2025

Fiberboard, vellum, charcoal, graphite, shellac, wood, aluminum flashing, construction adhesive, and oil paint
49 x 21.5 inches

A Shade (heroic visage of a chronic masturbator), 2024

Bronze, uric acid
14 × 4 × 4 inches

Emeth I (after Goya), 2024

Epoxy clay, graphite, graphite powder, ink, glassine, MDF
30 × 32 inches

St Sebastian in the Black Room, 2025

Bronze, uric acid, black wax
16 × 21 inches

Emeth V (after Mizer, boys will be.), 2025

Epoxy clay, gesso, ink, graphite, charcoal, tissue paper, printed A3 paper on board
20 × 14.5 in

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